01
Spot
Lock picture, timecode, cues, dialogue, music and sonic intent.
AVANTIQO AUDIO POST
Build the world you hear.
A complete sound-to-picture production environment.
Audio stays locked to picture and timecode from spotting through final master. Dialogue, ADR, Foley, ambience, designed SFX, music, object movement, world acoustics, routing, automation, premix, spatial monitoring, multichannel mastering, stems and QC remain connected in one governed project.
DX→MX
Full post chain
HRTF
Binaural preview
5.1 / 7.1 / 7.1.4
Multichannel
PICTURE-LOCKED SOUND · SOURCE TO MASTER
DX · ADR · Foley · FX · ambience · music · spatial mix · stems · master
THE SOUND-TO-PICTURE CHAIN
From picture lock to final mix.
Each department stays editable and versioned, so dialogue, Foley, acoustics, spatial movement or mastering can be repaired without flattening the entire soundtrack.
02
Dialogue / ADR
Edit production dialogue, prepare replacement material and match ADR continuity.
03
Foley
Build footsteps, cloth, props, surfaces, machines, vehicles and tactile detail.
04
Sound design
Create impacts, transitions, mechanical layers, subs, sweeteners and designed effects.
05
World acoustics
Model perspective, occlusion, room behavior, reflection and picture-aware acoustic change.
06
Spatial mix
Position and automate sound through stereo, HRTF preview and multichannel speaker layouts.
07
Premix / re-record
Route DX, ADR, VO, Foley, FX, backgrounds and music through controlled buses and stems.
08
Master & deliver
Validate loudness, true peak, phase, downmix, stems, multichannel masters and final picture mux.
INSIDE AUDIO POST
A real post-production department, not an effect added at the end.
01
Dialogue & ADR
Production dialogue cleanup, timing, continuity, ADR recording/matching and source-preserving repair.
02
Foley & tactile sound
Footsteps, cloth, props, surfaces, impacts and physical detail built as editable production layers.
03
Cinematic sound design
Machines, vehicles, transitions, impacts, low-end design, ambience and editorial effects.
04
Premix & final mix
Dialogue-priority routing, buses, sends, automation, reverbs, dynamics and picture-locked balancing.
05
Immersive production
HRTF binaural preview plus stereo, 5.1, 7.1 and 7.1.4 production with picture-aware movement and room behavior.
06
Mastering & versioning
DX / FX / MX / M&E stems, loudness and true-peak validation, downmix QC, versions and picture-ready delivery.
PICTURE-AWARE ACOUSTICS
Sound changes when the world changes.
Walls, glass, wood, vehicle bodies, brick, concrete, metal and curtains can affect attenuation, high-frequency loss and occlusion. Room and reflection behavior can evolve with picture instead of staying as one static reverb.
OCCLUSION
Material + movement
PERSPECTIVE
Distance + screen relation
ROOM
Reflection + tone
AUTOMATION
Picture-locked change
TECHNICAL SPECIFICATION
The production system behind the soundtrack.
Original sources remain preserved while processing, matched ADR, repairs, automation, mixes, stems and masters remain versioned and reviewable.
PICTURE & TIMECODE
Spotting · picture lock · cue timing · sample-accurate placement · source lineage · version state
DIALOGUE / ADR
DX editorial · cleanup · timing · continuity · ADR matching · replacement-ready material · dialogue stems
FOLEY
Footsteps · cloth · props · surfaces · machines · vehicles · tactile detail · picture sync
SFX / SOUND DESIGN
Impacts · transitions · mechanical layers · subs · sweeteners · designed effects · ambience · source libraries
WORLD ACOUSTICS
Material-aware occlusion · attenuation · high-frequency loss · changing room/reflection behavior · acoustic continuity
SPATIAL / OBJECT AUDIO
Screen position · trajectory · distance · automation · room response · HRTF preview · LFE eligibility
MIX ARCHITECTURE
DX · ADR · VO · Foley · FX · BG · MX buses · sends · dynamics · reverbs · phase/correlation · stem architecture
MASTERING & QC
Stereo · 5.1 · 7.1 · 7.1.4 · loudness · true peak · dynamic range · mono/downmix · translation QC · final mux
Dolby Atmos: 7.1.4 and object/bed production concepts can be used in the Studio. A deliverable should only be marketed as Dolby Atmos certified when the licensed Dolby renderer, monitoring and delivery chain are actually connected and certified.
AVANTIQO AUDIO POST
Build the world, not just the audio track.
One project from spotting and source audio through dialogue, Foley, world acoustics, spatial mix, multichannel master and delivery.